{"id":737,"date":"2017-10-01T17:51:21","date_gmt":"2017-10-01T16:51:21","guid":{"rendered":"https:\/\/rhizottome.wordpress.com\/?p=737"},"modified":"2017-10-01T17:51:21","modified_gmt":"2017-10-01T16:51:21","slug":"%e5%ba%ad%e5%b8%ab%e3%81%ae%e5%a4%a2-niwashi-no-yume-teaser","status":"publish","type":"post","link":"https:\/\/systole.fr\/rhizottome\/2017\/10\/01\/%e5%ba%ad%e5%b8%ab%e3%81%ae%e5%a4%a2-niwashi-no-yume-teaser\/","title":{"rendered":"\u5ead\u5e2b\u306e\u5922"},"content":{"rendered":"<h3>niwashi no yume |teaser|<\/h3>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" title=\"\u5ead\u5e2b\u306e\u5922 - niwashi no yume (le r\u00eave du jardinier)\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/2I0BDx279y0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Kohsetsu (Reiko Imanishi) : koto<\/strong><\/p>\n<p><strong>Matthieu Metzger : sopranino saxophone<\/strong><\/p>\n<p><strong>Armelle Dousset : accord\u00e9on<\/strong><\/p>\n<p><strong>Akito Sengoku : TIME PAINTING<\/strong><\/p>\n<p style=\"text-align:justify;\">Images extraites de la cr\u00e9ation au TAP &#8211; Th\u00e9\u00e2tre Auditorium de Poitiers (12 janvier 2017).<\/p>\n<p style=\"text-align:justify;\">Renouer avec les racines, retourner la terre et semer les graines d\u2019une nouvelle musique traditionnelle sensuelle et f\u00e9conde. De retour d\u2019une r\u00e9sidence \u00e0 Kyoto \u00e0 la Villa Kujoyama, le duo \u201cRhizottome\u201d cr\u00e9e un concert visuel en quatuor, en collaboration avec des artistes japonais. L\u2019accord\u00e9on et le saxophone sopranino dialoguent avec le koto \u2013 longue cithare japonaise \u2013 de Kohsetsu. Compositions traditionnelles, cr\u00e9ations et improvisations, s\u2019acclimatent de paysages visuels r\u00e9alis\u00e9s en direct par Akito Sengoku. Feuilles mortes, pigments, musique et chant engendrent une r\u00eaverie psych\u00e9d\u00e9lico-organique aux parfums d\u2019humus et de momiji, l\u2019\u00e9rable du japon.<\/p>\n<p style=\"text-align:justify;\">\u6839\u3068\u4f9d\u308a\u3092\u623b\u3057\u3001\u571f\u306b\u7acb\u3061\u304b\u3048\u308a\u3001\u8c4a\u304b\u3067\u5b98\u80fd\u7684\u306a\u3001\u65b0\u3057\u3044\u4f1d\u7d71\u97f3\u697d\u306e\u7a2e\u3092\u8494\u3053\u3046\u3002<\/p>\n<p style=\"text-align:justify;\">\u4eac\u90fd\u4e5d\u6761\u5c71\u30ec\u30b8\u30c7\u30f3\u30b9\u306b\u5e30\u3063\u3066\u304d\u305f\u30c7\u30e5\u30aa\u300c\u30ea\u30be\u30c3\u30c8\u30e0\u300d\u304c\u3001\u65e5\u672c\u306e\u30a2\u30fc\u30c1\u30b9\u30c8\u305f\u3061\u3068\u3001\u56db\u91cd\u594f\u3067\u30d3\u30b8\u30e5\u30a2\u30eb\u30fb\u30b3\u30f3\u30b5\u30fc\u30c8\u3092\u521d\u6f14\u3002<\/p>\n<p style=\"text-align:justify;\">\u30a2\u30b3\u30fc\u30c7\u30aa\u30f3\u3068\u30bd\u30d7\u30e9\u30ce\u30fb\u30b5\u30af\u30bd\u30d5\u30a9\u30f3\u304c\u3001\u7d05\u96ea\u306e\u594f\u3067\u308b\u7b8f\u3068\u8a71\u3057\u59cb\u3081\u308b\u3002 \u4f1d\u7d71\u306e\u697d\u66f2\u3001\u5275\u4f5c\u3068\u5373\u8208\u306b\u3001\u4ed9\u77f3\u5f6c\u4eba\u306e\u30c0\u30a4\u30ec\u30af\u30c8\u306b\u6f14\u51fa\u3059\u308b\u98a8\u666f\u304c\u6eb6\u3051\u8fbc\u3093\u3067\u3044\u304f\u3002<\/p>\n<p style=\"text-align:justify;\">\u67af\u8449\u3001\u8272\u7d20\u3001\u97f3\u697d\u3068\u6b4c\u306f\u3001\u8150\u690d\u3057\u305f\u7d05\u8449\u306e\u9999\u308a\u3092\u653e\u3064\u6709\u6a5f\u7684\u306a\u5e7b\u899a\u306e\u3001\u767d\u663c\u5922\u3092\u751f\u307f\u51fa\u3059\u3002<\/p>\n<p style=\"text-align:justify;\">Traduction : Miyoko Miyazawa<\/p>\n","protected":false},"excerpt":{"rendered":"<p>niwashi no yume |teaser| &nbsp; &nbsp; Kohsetsu (Reiko Imanishi) : koto Matthieu Metzger : sopranino saxophone Armelle Dousset : accord\u00e9on Akito Sengoku : TIME PAINTING Images extraites de la cr\u00e9ation au TAP &#8211; Th\u00e9\u00e2tre Auditorium de Poitiers (12 janvier 2017). Renouer avec les racines, retourner la terre et semer les graines d\u2019une nouvelle musique traditionnelle &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/systole.fr\/rhizottome\/2017\/10\/01\/%e5%ba%ad%e5%b8%ab%e3%81%ae%e5%a4%a2-niwashi-no-yume-teaser\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;\u5ead\u5e2b\u306e\u5922&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/posts\/737"}],"collection":[{"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/comments?post=737"}],"version-history":[{"count":0,"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/posts\/737\/revisions"}],"wp:attachment":[{"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/media?parent=737"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/categories?post=737"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/tags?post=737"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}