{"id":363,"date":"2016-02-15T04:12:54","date_gmt":"2016-02-15T03:12:54","guid":{"rendered":"https:\/\/rhizottome.wordpress.com\/?p=363"},"modified":"2016-02-15T04:12:54","modified_gmt":"2016-02-15T03:12:54","slug":"%e5%ba%ad%e5%b8%ab%e3%81%ae%e5%a4%a2%e3%80%88niwashi-no-yume%e3%80%89","status":"publish","type":"post","link":"https:\/\/systole.fr\/rhizottome\/2016\/02\/15\/%e5%ba%ad%e5%b8%ab%e3%81%ae%e5%a4%a2%e3%80%88niwashi-no-yume%e3%80%89\/","title":{"rendered":"\u5ead\u5e2b\u306e\u5922\u3008niwashi no yume\u3009"},"content":{"rendered":"<p class=\"first\">\u00ab\u00a0niwashi no yume\u00a0\u00bb est un concert visuel franco-japonais.<br \/>\nUne rencontre entre Rhizottome, Reiko Imanishi (koto) et Akito Sengoku (visuel, time painting).<br \/>\nLors d&rsquo;une r\u00e9sidence de recherche \u00e0 Ky\u00f4to (Rhizottome \u00e9tait alors projet laur\u00e9at de la Villa Kujoyama), s&rsquo;est ficel\u00e9e cette performance diapr\u00e9e.<br \/>\nCe teaser de Masaki Yanagida tire son extrait de la premi\u00e8re repr\u00e9sentation \u00e0 la Villa Kujoyama en d\u00e9cembre 2015.<\/p>\n<p class=\"first\">\n<p>[vimeo 154794340 w=500 h=281]<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color:#000000;\"><em>Le duo Rhizottome fait peau neuve au Japon et agrandit son jardin.<\/em><\/span><\/p>\n<p><span style=\"color:#000000;\"><em>Musiques traditionnelles et cr\u00e9ations se livrent, s&rsquo;\u00e9changent, s&rsquo;adaptent, volent en \u00e9clats.<\/em><\/span><\/p>\n<p><span style=\"color:#000000;\"><em>On y cultive racines respectives et langage commun.<\/em><\/span><\/p>\n<p><span style=\"color:#000000;\"><em>On y invente ensemble dans l&rsquo;humus frais de l&rsquo;improvisation.<\/em><\/span><\/p>\n<p><span style=\"color:#000000;\"><em>La couleur y pousse sur les murs comme du chiendent.<\/em><\/span><\/p>\n<p><span style=\"color:#000000;\"><em>\u00ab\u00a0niwashi no yume\u00a0\u00bb, c&rsquo;est \u00ab\u00a0le r\u00eave du jardinier\u00a0\u00bb.<\/em><\/span><\/p>\n<p><span style=\"color:#000000;\"><em>Si les paysages convoqu\u00e9s par cette musique doivent d\u00e9finir un territoire, alors puisse ce dernier n\u2019exister qu\u2019en r\u00eave, dans un ailleurs o\u00f9 Orient et Occident se m\u00ealent.<\/em><\/span><\/p>\n<p><span style=\"color:#000000;\"><em>Pourraient alors surgir quelques images famili\u00e8res.<\/em><\/span><\/p>\n<p><span style=\"color:#000000;\"><em>Un arbre, une peau, deux trois feuilles mortes, du vent.<\/em><\/span><\/p>\n<p>Morceau extrait du concert : Harry Van Der Guild, composition Matthieu Metzger.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00ab\u00a0niwashi no yume\u00a0\u00bb est un concert visuel franco-japonais. Une rencontre entre Rhizottome, Reiko Imanishi (koto) et Akito Sengoku (visuel, time painting). Lors d&rsquo;une r\u00e9sidence de recherche \u00e0 Ky\u00f4to (Rhizottome \u00e9tait alors projet laur\u00e9at de la Villa Kujoyama), s&rsquo;est ficel\u00e9e cette performance diapr\u00e9e. Ce teaser de Masaki Yanagida tire son extrait de la premi\u00e8re repr\u00e9sentation \u00e0 &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/systole.fr\/rhizottome\/2016\/02\/15\/%e5%ba%ad%e5%b8%ab%e3%81%ae%e5%a4%a2%e3%80%88niwashi-no-yume%e3%80%89\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;\u5ead\u5e2b\u306e\u5922\u3008niwashi no yume\u3009&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/posts\/363"}],"collection":[{"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/comments?post=363"}],"version-history":[{"count":0,"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/posts\/363\/revisions"}],"wp:attachment":[{"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/media?parent=363"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/categories?post=363"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/tags?post=363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}