{"id":646,"date":"2017-03-23T16:06:17","date_gmt":"2017-03-23T15:06:17","guid":{"rendered":"https:\/\/rhizottome.wordpress.com\/?page_id=646"},"modified":"2025-01-22T23:23:45","modified_gmt":"2025-01-22T22:23:45","slug":"niwashi-no-yume","status":"publish","type":"page","link":"https:\/\/systole.fr\/rhizottome\/niwashi-no-yume\/","title":{"rendered":"NIWASHI NO YUME"},"content":{"rendered":"<h2 style=\"text-align: center;\"><\/h2>\n<h2 style=\"text-align: center;\"><strong>(Le r\u00eave du jardinier)<\/strong><\/h2>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-657\" src=\"http:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/niwashimail.jpg\" alt=\"niwashimail\" width=\"1191\" height=\"842\" srcset=\"https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/niwashimail.jpg 1191w, https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/niwashimail-300x212.jpg 300w, https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/niwashimail-768x543.jpg 768w, https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/niwashimail-1024x724.jpg 1024w\" sizes=\"(max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><\/p>\n<p style=\"text-align: justify;\">Rhizottome renoue avec les racines, retourne la terre et s\u00e8me les graines d\u2019une nouvelle musique traditionnelle sensuelle et f\u00e9conde. De retour d\u2019une r\u00e9sidence \u00e0 Kyoto (\u00e0 la Villa Kujoyama, \u00e9quivalent de la Villa M\u00e9dicis \u00e0 Rome), le duo poitevin cr\u00e9e un concert visuel en quatuor.<\/p>\n<p style=\"text-align: justify;\">L\u2019accord\u00e9on d\u2019Armelle Dousset et le saxophone sopranino de Matthieu Metzger dialoguent avec le koto \u2013 longue cithare japonaise \u2013 de Reiko Imanishi. Compositions traditionnelles, cr\u00e9ations et improvisations, s\u2019acclimatent de paysages visuels r\u00e9alis\u00e9s en direct par Akito Sengoku. Feuilles mortes, pigments, musique et chant engendrent une r\u00eaverie psych\u00e9d\u00e9lico-organique aux parfums d\u2019humus et de momiji, l\u2019\u00e9rable du japon.<\/p>\n<p style=\"text-align: center;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.<\/p>\n<p style=\"text-align: justify;\"><em>Rhizottome duet is turning over a new leaf in Japan, extending its garden. Traditional music and creations are delivered, exchanged, adapted, exploding. In this new garden relative and common language are grown.\u00a0<\/em><em>We invent together in the fresh humus of improvisation.\u00a0<\/em><em>Color is growing on walls like a weed.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>\u00ab\u00a0niwashi no yume\u00a0\u00bb, here is \u00ab\u00a0the gardener&rsquo;s dream\u00a0\u00bb.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>If this music defines landscaped which are supposed to define a territroy, so may this land exist only in a dream, somewhere else where the East and West are blended. Then a few familiar images might loom. A tree, a skin, two or three dead leaves, some wind.<\/em><\/p>\n<p style=\"text-align: center;\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.<\/p>\n<p>\u6839\u3068\u4f9d\u308a\u3092\u623b\u3057\u3001\u571f\u306b\u7acb\u3061\u304b\u3048\u308a\u3001\u8c4a\u304b\u3067\u5b98\u80fd\u7684\u306a\u3001\u65b0\u3057\u3044\u4f1d\u7d71\u97f3\u697d\u306e\u7a2e\u3092\u8494\u3053\u3046\u3002 \u4eac\u90fd\u4e5d\u6761\u5c71\u30ec\u30b8\u30c7\u30f3\u30b9\u306b\u5e30\u3063\u3066\u304d\u305f\u30c7\u30e5\u30aa\u300c\u30ea\u30be\u30c3\u30c8\u30e0\u300d\u304c\u3001\u65e5\u672c\u306e\u30a2\u30fc\u30c1\u30b9\u30c8\u305f\u3061\u3068\u3001\u56db\u91cd\u594f\u3067\u30d3\u30b8\u30e5\u30a2\u30eb\u30fb\u30b3\u30f3\u30b5\u30fc\u30c8\u3092\u521d\u6f14\u3002 \u30a2\u30b3\u30fc\u30c7\u30aa\u30f3\u3068\u30bd\u30d7\u30e9\u30ce\u30fb\u30b5\u30af\u30bd\u30d5\u30a9\u30f3\u304c\u3001\u7d05\u96ea\u306e\u594f\u3067\u308b\u7b8f\u3068\u8a71\u3057\u59cb\u3081\u308b\u3002 \u4f1d\u7d71\u306e\u697d\u66f2\u3001\u5275\u4f5c\u3068\u5373\u8208\u306b\u3001\u4ed9\u77f3\u5f6c\u4eba\u306e\u30c0\u30a4\u30ec\u30af\u30c8\u306b\u6f14\u51fa\u3059\u308b\u98a8\u666f\u304c\u6eb6\u3051\u8fbc\u3093\u3067\u3044\u304f\u3002 \u67af\u8449\u3001\u8272\u7d20\u3001\u97f3\u697d\u3068\u6b4c\u306f\u3001\u8150\u690d\u3057\u305f\u7d05\u8449\u306e\u9999\u308a\u3092\u653e\u3064\u6709\u6a5f\u7684\u306a\u5e7b\u899a\u306e\u3001\u767d\u663c\u5922\u3092\u751f\u307f\u51fa\u3059\u3002<\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" title=\"\u5ead\u5e2b\u306e\u5922\u3008niwashi no yume\u3009TEASER\" src=\"https:\/\/player.vimeo.com\/video\/154794340?dnt=1&amp;app_id=122963\" width=\"525\" height=\"295\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"\u5ead\u5e2b\u306e\u5922 - niwashi no yume (le r\u00eave du jardinier)\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/2I0BDx279y0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: center;\"><em>Performed at <\/em><\/p>\n<p style=\"text-align: center;\"><strong>Villa Kujoyama<\/strong> (Ky\u00f4to, JP)<\/p>\n<p style=\"text-align: center;\"><strong>Urbanguild<\/strong> (Ky\u00f4to, JP)<\/p>\n<p style=\"text-align: center;\"><strong>Institut Fran\u00e7ais<\/strong> (T\u00f4ky\u00f4, JP)<\/p>\n<p style=\"text-align: center;\"><strong>Ky\u00f4to Art Center<\/strong> (JP)<\/p>\n<p style=\"text-align: center;\"><strong>TAP- Th\u00e9\u00e2tre Auditorium de Poitiers<\/strong> (F)<\/p>\n<p style=\"text-align: center;\"><strong>Sc\u00e8ne Nationale d&rsquo;Orl\u00e9ans<\/strong> (F)<\/p>\n<p style=\"text-align: center;\"><strong>La Halte<\/strong> (Lyon, F)<\/p>\n<p style=\"text-align: center;\"><strong>Le Triton<\/strong> (Paris, F).<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-658\" src=\"http:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/p1220794.jpg\" alt=\"P1220794\" width=\"3776\" height=\"2520\" srcset=\"https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/p1220794.jpg 3776w, https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/p1220794-300x200.jpg 300w, https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/p1220794-768x513.jpg 768w, https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/p1220794-1024x683.jpg 1024w, https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/p1220794-1568x1046.jpg 1568w\" sizes=\"(max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><\/p>\n<h6 style=\"text-align: center;\">REIKO IMANISHI, koto<\/h6>\n<p style=\"text-align: center;\">(c) Yasuyo Kawata<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-655\" src=\"http:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/dsc_4293.jpg\" alt=\"DSC_4293\" width=\"3000\" height=\"1996\" srcset=\"https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/dsc_4293.jpg 3000w, https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/dsc_4293-300x200.jpg 300w, https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/dsc_4293-768x511.jpg 768w, https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/dsc_4293-1024x681.jpg 1024w, https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/dsc_4293-1568x1043.jpg 1568w\" sizes=\"(max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><\/p>\n<h6 style=\"text-align: center;\">Akito Sengoku , time painting<\/h6>\n<p style=\"text-align: center;\">(c)\u00a0Arnaud Rodriguez<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-653\" src=\"http:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/1934192_756131927820711_570155159307986109_n.jpg\" alt=\"1934192_756131927820711_570155159307986109_n\" width=\"960\" height=\"640\" srcset=\"https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/1934192_756131927820711_570155159307986109_n.jpg 960w, https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/1934192_756131927820711_570155159307986109_n-300x200.jpg 300w, https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/1934192_756131927820711_570155159307986109_n-768x512.jpg 768w\" sizes=\"(max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><\/p>\n<h6 style=\"text-align: center;\">Matthieu Metzger, sopranino saxophone<\/h6>\n<p style=\"text-align: center;\">(c)\u00a0Shimpei Murayama<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-654\" src=\"http:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/armelle-screams.jpg\" alt=\"armelle screams\" width=\"960\" height=\"640\" srcset=\"https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/armelle-screams.jpg 960w, https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/armelle-screams-300x200.jpg 300w, https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/armelle-screams-768x512.jpg 768w\" sizes=\"(max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><\/p>\n<h6 style=\"text-align: center;\">Armelle Dousset, accordion<\/h6>\n<p style=\"text-align: center;\">(c)\u00a0Shimpei Murayama<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-656\" src=\"http:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/les-feuillesc2a9meri-otoshi.jpg\" alt=\"les feuilles\u00a9Meri Otoshi\" width=\"3540\" height=\"4640\" srcset=\"https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/les-feuillesc2a9meri-otoshi.jpg 3540w, https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/les-feuillesc2a9meri-otoshi-229x300.jpg 229w, https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/les-feuillesc2a9meri-otoshi-768x1007.jpg 768w, https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/les-feuillesc2a9meri-otoshi-781x1024.jpg 781w, https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/les-feuillesc2a9meri-otoshi-1568x2055.jpg 1568w\" sizes=\"(max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><\/p>\n<p style=\"text-align: center;\">(c)\u00a0Meri Otoshi<\/p>\n<p style=\"text-align: center;\">with the support of :<\/p>\n<div id='gallery-1' class='gallery galleryid-646 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/systole.fr\/rhizottome\/niwashi-no-yume\/image\/'><img width=\"150\" height=\"150\" src=\"https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/image-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/systole.fr\/rhizottome\/niwashi-no-yume\/images-2\/'><img width=\"136\" height=\"136\" src=\"https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/images-2.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/systole.fr\/rhizottome\/logo-nemo\/'><img 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srcset=\"https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2014\/12\/logo-tap21-150x150.jpg 150w, https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2014\/12\/logo-tap21.jpg 300w\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/systole.fr\/rhizottome\/niwashi-no-yume\/80_logo_1280\/'><img width=\"150\" height=\"150\" src=\"https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/80_logo_1280-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/systole.fr\/rhizottome\/unnamed\/'><img width=\"150\" height=\"60\" src=\"https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2015\/09\/unnamed-150x60.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/systole.fr\/rhizottome\/niwashi-no-yume\/logo-if\/'><img width=\"150\" height=\"150\" src=\"https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/03\/logo-if-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" sizes=\"100vw\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>(Le r\u00eave du jardinier) Rhizottome renoue avec les racines, retourne la terre et s\u00e8me les graines d\u2019une nouvelle musique traditionnelle sensuelle et f\u00e9conde. De retour d\u2019une r\u00e9sidence \u00e0 Kyoto (\u00e0 la Villa Kujoyama, \u00e9quivalent de la Villa M\u00e9dicis \u00e0 Rome), le duo poitevin cr\u00e9e un concert visuel en quatuor. L\u2019accord\u00e9on d\u2019Armelle Dousset et le saxophone &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/systole.fr\/rhizottome\/niwashi-no-yume\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;NIWASHI NO YUME&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/pages\/646"}],"collection":[{"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/comments?post=646"}],"version-history":[{"count":2,"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/pages\/646\/revisions"}],"predecessor-version":[{"id":1046,"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/pages\/646\/revisions\/1046"}],"wp:attachment":[{"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/media?parent=646"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}