{"id":30,"date":"2014-12-16T02:38:26","date_gmt":"2014-12-16T01:38:26","guid":{"rendered":"http:\/\/rhizottome.wordpress.com\/?page_id=30"},"modified":"2014-12-16T02:38:26","modified_gmt":"2014-12-16T01:38:26","slug":"armelle-dousset","status":"publish","type":"page","link":"https:\/\/systole.fr\/rhizottome\/armelle-dousset\/","title":{"rendered":"Armelle Dousset"},"content":{"rendered":"<p><em>english | \u65e5\u672c\u8a9e | suomi \u00a0&gt;&gt;&gt; \u00a0below<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" class=\"aligncenter size-full wp-image-734\" src=\"http:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/09\/2017.jpg?w=291\" alt=\"2017.jpg\" width=\"291\" height=\"287\" srcset=\"https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/09\/2017.jpg 3699w, https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/09\/2017-300x296.jpg 300w, https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/09\/2017-768x757.jpg 768w, https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/09\/2017-1024x1009.jpg 1024w, https:\/\/systole.fr\/rhizottome\/wp-content\/uploads\/2017\/09\/2017-1568x1545.jpg 1568w\" sizes=\"(max-width: 291px) 100vw, 291px\" \/><\/p>\n<h6 style=\"text-align:center;\"><\/h6>\n<blockquote>\n<p style=\"text-align:justify;\">Apr\u00e8s une licence d&rsquo;Arts du spectacle en mention cin\u00e9ma \u00e0 l&rsquo;Universit\u00e9 de Poitiers, elle int\u00e8gre la Formation d&rsquo;Artiste Chor\u00e9graphique du CNDC d&rsquo;Angers, tout en apprivoisant\u00a0parall\u00e8lement l&rsquo;accord\u00e9on, qu&rsquo;elle d\u00e9couvre dans le milieu des musiques traditionnelles. Elle continue dans le m\u00eame temps la pratique du piano, instrument qui la suit comme la danse depuis l&rsquo;\u00e2ge de cinq ans.<\/p>\n<p style=\"text-align:justify;\">Interpr\u00e8te dans des pi\u00e8ces de danse ou de th\u00e9\u00e2tre\u00a0pour Alain Buffard, Laurent Falgui\u00e9ras, Olivier Normand, le GdRA, La Cavale, La Bo\u00eete Blanche, l&rsquo;Encyclop\u00e9die de la Parole, elle poursuit son parcours de musicienne avec <i>Rhizottome<\/i>, <a href=\"http:\/\/www.metamek.com\/\" target=\"guillaume\" rel=\"noopener noreferrer\"><i>Metamek<\/i><\/a>, <a href=\"\/\/dissadousset.wordpress.com\/\" target=\"sylvie\" rel=\"noopener noreferrer\"><i>dame dissa dame dousset et moi<\/i><\/a>\u00a0, <em>Klone<\/em> et <i>Vingt Doigts<\/i>.<\/p>\n<p style=\"text-align:justify;\">Elle\u00a0invente en 2009 \u00e0 Ky\u00f4to le solo <em>Haigorei<\/em>\/\u80cc\u5f8c\u970a, forme courte performative\u00a0dans laquelle corps expressionniste, r\u00e9f\u00e9rences cin\u00e9matographiques et\u00a0\u00e9criture musicale\u00a0se m\u00ealent. Cette relation affective et artistique avec le Japon se poursuit avec<em> Rhizottome, (<\/em>projet laur\u00e9at de la<em> Villa Kujoyama) <\/em>qui cr\u00e9\u00e9 la\u00a0formule quartet franco-japonaise<em> <a href=\"https:\/\/rhizottome.wordpress.com\/niwashi-no-yume\/\">Niwashi no Yume<\/a><\/em> en 2015.<\/p>\n<p style=\"text-align:justify;\">Mouvement. Ecoute. Vuln\u00e9rabilit\u00e9. A travers ce parcours h\u00e9t\u00e9roclite, elle n&rsquo;a de cesse de se pencher sur ces mati\u00e8res \u00e0 penser qui se retrouvent tant\u00f4t dans\u00e9es, tant\u00f4t tiss\u00e9es en musique.<\/p>\n<\/blockquote>\n<p>&nbsp;<\/p>\n<blockquote><p><a name=\"anglais\"><\/a><\/p>\n<p style=\"text-align:justify;\">She is quite interested in every possible form of expression through art. After passing a Performing Arts degree in the cinema section, she joined the CNDC in Angers where she attended the Choreographic Artists II training.<br \/>\nAt the same time, she went on practising as a musician by creating the\u00a0\u00bbRhizottome\u00a0\u00bb duo with the saxophonist Matthieu Metzger.<\/p>\n<p style=\"text-align:justify;\">In 2009, she left for Japan to invent the performance \u201cHaigorei\u201d . Since then she keeps strong artistic relationship with Ky\u00f4to underground cabarets.<\/p>\n<p style=\"text-align:justify;\">She is presently performing for a few choreographers in France (Alain Buffard, Olivier Normand, Laurent Falgui\u00e9ras, Le GdRA, La Cavale, La Bo\u00eete Blanche, l&rsquo;Encyclop\u00e9die de la Parole&#8230;) and is involved is various music project, such as <i>dame dissa dame dousset et moi<\/i>, <i>Metamek, Klone\u00a0<\/i>and <i>Vingt Doigts<\/i>.<\/p>\n<p style=\"text-align:justify;\">Motion, listening, vulnerability&#8230;<br \/>\nThrough this heterogeneous experience, which she is proud of, she has never stopped dealing with all this food for thought that can be found either in her dancing performances or woven in her musical creations.<\/p>\n<\/blockquote>\n<p><a name=\"japonais\"><\/a><\/p>\n<blockquote>\n<p style=\"text-align:justify;\">\u30a2\u30fc\u30e1\u30eb\u30fb\u30c9\u30a5\u30bc\u30c3\u30c8\u3000\u82b8\u8853\u8868\u73fe\u306e\u5168\u3066\u306e\u53ef\u80fd\u6027\u306b\u8208\u5473\u3092\u6301\u3061\u6d3b\u52d5\u3002\u30d1\u30d5\u30a9\u30fc\u30df\u30f3\u30b0\u30fb\u30a2\u30fc\u30c4\uff08\u6620\u753b\u5c02\u653b\uff09\u3067\u5b66\u4f4d\u3092\u53d6\u5f97\u5f8c\u3001\u30a2\u30f3\u30b8\u30a7\u56fd\u7acb\u73fe\u4ee3\u821e\u8e0a\u30bb\u30f3\u30bf\u30fc\u3001\u30c0\u30f3\u30b5\u30fc\u30b3\u30fc\u30b9\u306b\u5165\u5b66\u3057\u5352\u696d\u3002\u5728\u7c4d\u4e2d\u306b\u30de\u30c1\u30e5\u30fc\u30fb\u30e1\u30c3\u30c4\u30ac\u2212\u3068\u4e8c\u4eba\u3067\u300cRhizottome(\u30ea\u30be\u30c3\u30c8\u30e1)\u300d\u3092\u7d50\u6210\u3057\u30df\u30e5\u30fc\u30b8\u30b7\u30e3\u30f3\u3068\u3057\u3066\u306e\u7d4c\u9a13\u3092\u7a4d\u3080\u3002\uff12\uff10\uff10\uff19\u5e74\u306b\u6765\u65e5\u3057\u3001\u5f71\u3001\u53cc\u5bfe\u6027\u3001\u8106\u5f31\u6027\u3092\u30e2\u30c1\u30fc\u30d5\u306b\u3057\u305f\u300c\u80cc\u5f8c\u970a\u300d\u3092\u767a\u8868\u3002\u30c0\u30f3\u30b9\u3001\u97f3\u697d\u4e21\u65b9\u3092\u901a\u3057\u3066\u610f\u6b32\u7684\u306b\u5275\u4f5c\u6d3b\u52d5\u3092\u3057\u3066\u3044\u308b\u3002\u30d5\u30e9\u30f3\u30b9\u306e\u632f\u4ed8\u5bb6\u30a2\u30e9\u30f3\u30fb\u30d3\u30e5\u30d5\u30a1\u30fc\u3001\u30d9\u30eb\u30ca\u30eb\u30c9\u30fb\u30e2\u30f3\u30c6\u3001\u30ed\u30fc\u30e9\u30f3\u30fb\u30d5\u30a1\u30eb\u30ae\u30a8\u30fc\u30eb\u3001\u30aa\u30ea\u30d3\u30a8\u30fb\u30ce\u30eb\u30de\u30f3\u3001\u30b8\u30fc\u30c9\u30e9\u306a\u3069\u306e\u4f5c\u54c1\u306b\u51fa\u6f14<\/p>\n<\/blockquote>\n<p>&nbsp;<\/p>\n<p>Armelle Dousset aloitti harmonikansoiton kansanmuusikoiden parissa. Samaan aikaan h\u00e4n opiskeli maineikkaassa Angers\u2019n Kansallisessa koreografisessa keskuksessa, josta h\u00e4n valmistui 22-vuotiaana v. 2009. Sin\u00e4 vuonna h\u00e4n kantaesitti Ky\u00f4tossa sooloteoksensa <em>Haigore<\/em>, jossa yhdistyv\u00e4t ekspressiivinen liike, s\u00e4velkieli ja rakkaus elokuvataiteeseen. T\u00e4m\u00e4 omaper\u00e4inen tie taiteeseen on jatkunut siit\u00e4 l\u00e4htien sek\u00e4 Rhizottome-duon kanssa ett\u00e4 nykytanssilavoilla, mm.\u00a0Alain Buffardin\u00a0ja Olivier Normandin koreografioissa.<\/p>\n<p>&nbsp;<\/p>\n<h6 style=\"text-align:right;\"><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>english | \u65e5\u672c\u8a9e | suomi \u00a0&gt;&gt;&gt; \u00a0below &nbsp; Apr\u00e8s une licence d&rsquo;Arts du spectacle en mention cin\u00e9ma \u00e0 l&rsquo;Universit\u00e9 de Poitiers, elle int\u00e8gre la Formation d&rsquo;Artiste Chor\u00e9graphique du CNDC d&rsquo;Angers, tout en apprivoisant\u00a0parall\u00e8lement l&rsquo;accord\u00e9on, qu&rsquo;elle d\u00e9couvre dans le milieu des musiques traditionnelles. Elle continue dans le m\u00eame temps la pratique du piano, instrument qui la &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/systole.fr\/rhizottome\/armelle-dousset\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;Armelle Dousset&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/pages\/30"}],"collection":[{"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/comments?post=30"}],"version-history":[{"count":0,"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/pages\/30\/revisions"}],"wp:attachment":[{"href":"https:\/\/systole.fr\/rhizottome\/wp-json\/wp\/v2\/media?parent=30"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}